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・ Académie Diplomatique Internationale
・ Académie française
・ Académie Goncourt
・ Académie Horlogère des Créateurs Indépendants
・ Académie Internationale d'Héraldique
・ Académie Internationale de Droit Constitutionnel
・ Académie internationale Mohammed VI de l'aviation civile
・ Académie Julian
・ Académie Louvain
・ Académie Mallarmé
・ Académie Nationale de Médecine
・ Académie Parisienne des Inventeurs
・ Académie Ranson
・ Académie royale d'architecture
・ Académie Royale de Danse
Académie royale de peinture et de sculpture
・ Académie Royale des Beaux-Arts
・ Académie Suisse
・ Académie Tchité FC
・ ACAE
・ ACAE CJ-1000A
・ Acaena
・ Acaena caesiiglauca
・ Acaena dumicola
・ Acaena echinata
・ Acaena emittens
・ Acaena exigua
・ Acaena juvenca
・ Acaena magellanica
・ Acaena minor


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Académie royale de peinture et de sculpture : ウィキペディア英語版
:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The ''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).
:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''
The ''Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.
==Founding==
The Academy was founded in 1648,〔Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018〕 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.
According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.〔Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The '''''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
'Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).

:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''
The ''Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.
==Founding==
The Academy was founded in 1648,〔Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018〕 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.
According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.〔Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The '''''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).
:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''
The ''Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.
==Founding==
The Academy was founded in 1648,〔Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018〕 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.
According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.〔Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).〕

抄文引用元・出典: フリー百科事典『 ''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).">ウィキペディア(Wikipedia)
ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The '''''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
'Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).">ウィキペディア(Wikipedia)』
ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The '''''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).">ウィキペディア(Wikipedia)』
''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).">ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The '''''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
'Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).">ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The '''''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).">ウィキペディアで「:''"Académie Royale" redirects here; not to be confused with the Académie Royale des Beaux-Arts or the Académie royale des sciences, des lettres et des beaux-arts, both in Brussels.''The ''Académie Royale de Peinture et de Sculpture''''' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
'Académie Royale de Peinture et de Sculpture'' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」の詳細全文を読む
' (Royal Academy of Painting and Sculpture), Paris, was the premier art institution in France in the eighteenth century.==Founding==The Academy was founded in 1648,Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 629. ISBN 0500237018 modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the ''Académie de Saint-Luc'', which was a city artist guild like any other Guild of Saint Luke. The purpose of this academy was to professionalize the artists working for the French court and give them a stamp of approval that artists of the St. Luke's guild did not have.According to the Encyclopédie of Diderot and d'Alembert, the academy was a result of "squabbles that arose between the Master Painters and Sculptors of Paris, and Painters protected by the King." In response to harassment from the other painters, a group of royal painters formed a plan for an academy, and obtained a ruling from the Conseil d'Etat for it to be established.Landois, Paul. "Academy of Painting." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.203. Originally published as "Académie de Peinture," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 1:56–57 (Paris, 1751).」
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